Showing posts with label Nonsense Absurdity Non Sequitur. Show all posts
Showing posts with label Nonsense Absurdity Non Sequitur. Show all posts

Wednesday, May 8, 2013

A Mathematicians Miscellany by J. E. Littlewood (1953)


"Charles Darwin had a theory that once in a while one should perform a damn-fool experiment. It almost always fails, but when it does come off is terrific. 

"Darwin played the trombone to his tulips. The result of this particular experiment was negative."



Tuesday, September 14, 2010

Edward Gorey - Poems, Stories Online and Miscellania

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Flip Through Gorey Titles Cheaply and as Loudly as You Wish on Amazon
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Miscellania


Monday, August 2, 2010

Ogden Nash

A fairly extensive catalog of poems online here.

Daffy, vocabulary drunk, middle-aged witty, these are dippy, doughy, dumpy exemplars of the last centuries' middle-of-the-road cocktail verse. The nearest thing the 20C had to a popular verse, without the rhymes being set to music.


A Lady Who Thinks She Is Thirty

Unwillingly Miranda wakes,
Aubrey Beadsley - Venus
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.

Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.

Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

Time is timelessness for you;
Calendars for the human;
What's a year, or thirty, to
Loveliness made woman?

Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then--
How old is Spring, Miranda?

Friday, July 30, 2010

Punch and Judy 1832 Book

This is a scan of a 1832 Punch and Judy script.

Predating vaudeville, Punch and Judy--with its giddy violence, its cast of stock characters, its bits and jokes and gags, its irredeemable misogyny, its clowning, its anticipation of nonsense and absurdity and mumbling as aesthetic pleasures--is also the phantom haunting the format and internal dynamics of every television sitcom. It does it first. It does it better. There is also a lurking horror within which I doubt is just a product of its times, that "we know better" now.  Its urge to offend is almost theological in scale, undoubtedly compulsive.

If the dynamics at base in Punch and Judy's relationship (Man and Woman as the comedic Straight Man vs. Clown duo, Auguste vs. Joey framework, manipulator vs. victim sketch, a level of implied and/or actual violence perpetually close to lighting up the sparkers) are the spiritual ancestor of The Honeymooners, The Honeymooners goes on to be the spiritual ancestor of all other situation comedies. If one wanted to make the case that there is a level of self-critique going on in regards to Punch's sociopathic hatred of women, it would be that Men (and here the concept Men is expressly, specifically gendered Male) are monsters.

The irredeemable tone and frequency of Punch's violent outbursts makes this very modern-seeming text curiously resistant to domestication, to colonization into a moral text or a sentimental one.

More scripts.

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