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Showing posts with label Nonsense Absurdity Non Sequitur. Show all posts
Showing posts with label Nonsense Absurdity Non Sequitur. Show all posts
Sunday, December 28, 2014
Thursday, February 13, 2014
Wednesday, May 8, 2013
A Mathematicians Miscellany by J. E. Littlewood (1953)
"Charles Darwin had a theory that once in a while one should perform a damn-fool experiment. It almost always fails, but when it does come off is terrific.
Monday, September 12, 2011
Poems of Shel Silverstein
Tuesday, January 25, 2011
Saturday, December 18, 2010
Christmas Evil (1980)
Labels:
Archetype Stock Character Caricature,
Camp,
Compulsion,
Contempt Ressentiment,
Drive In Movies (Cult),
Excruciation,
Families,
Folklore,
Halloween Holiday Bad Christmas,
Literal Banal Mundane Familiar,
Monster,
Nonsense Absurdity Non Sequitur,
North America,
Quest,
Sadomasochism,
Saint Just Man Everyman Hero,
Spooky Macabre,
The Uncanny (Double),
Violence Fighting Sadomasochism
Saturday, September 25, 2010
Tuesday, September 14, 2010
Edward Gorey - Poems, Stories Online and Miscellania
- Poems by Edward Gorey
- The Disrespectful Summons (In full, with Illustrations)
- The Doubtful Guest (In full, with Illustrations)
- The Raging Tide (In full, with Illustrations)
- The Wuggly Ump (In full, with Illustrations)
- The Insect God
- Gashlycrumb Tinies (Text only)
- * Same, with original Illustrations
- Limericks
- "There was a young curate whose brain/ Was deranged from the use of cocaine;"
- Scans from "The Recently Deflowered Girl."
- When Edward Gorey Illustrated Dracula: Two Masters of the Macabre, Together
- T. S. Eliot’s Iconic Vintage Verses About Cats, Illustrated and Signed by Edward Gorey

Flip Through Gorey Titles Cheaply and as Loudly as You Wish on Amazon
- Amphigorey (Perigee)
- The Twelve Terrors of Christmas
- The Doubtful Guest
- The Recently Deflowered Girl: The Right Thing to Say on Every Dubious Occasion
- The Epiplectic Bicycle
- The Blue Aspic
- The West Wing
- The Other Statue
Gorey Costume Design
for Jonathan Harker, Dracula - The Hapless Child
- The Remembered Visit: A Story Taken from Life
- The Black Doll: A Silent Screenplay
- The Curious Sofa: A Pornographic Work by Ogdred Weary
- Edward Gorey's Dracula: A Toy Theatre: Die Cut, Scored and Perforated Foldups and Foldouts
- The Haunted Looking Glass (New York Review Books Classics)
- The Willowdale Handcar: or the Return of the Black Doll
- The Glorious Nosebleed
- The Eclectic Abecedarium
- Cautionary Tales for Children
- The Gilded Bat
- The Utter Zoo: An Alphabet by Edward Gorey
- The Headless Bust: A Melancholy Meditation for the False Millennium
- The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas
- The Unstrung Harp
- The Iron Tonic: Or, A Winter Afternoon in Lonely Valley
- The War of the Worlds
- The Wuggly Ump
- The Dong with a Luminous Nose
Miscellania
- PBS Interview
- Quotes
- Fantod Deck (Online Tarot Deck, Gorey's Illustrations)
- Edward Gorey’s Letters and Illustrated Envelopes
- The Betrayed Confidence: Edward Gorey’s Weird and Whimsical Vintage Illustrated Postcards
Wednesday, September 8, 2010
Sunday, August 22, 2010
Alice's Adventures in Wonderland
In full, with original illustrations, at project Gutenberg.
I Down the Rabbit-Hole
II The Pool of Tears
III A Caucus-Race and a Long Tale
IV The Rabbit Sends in a Little Bill
V Advice from a Caterpillar
VI Pig and Pepper
VII A Mad Tea-Party
VIII The Queen's Croquet-Ground
IX The Mock Turtle's Story
X The Lobster Quadrille
XI Who Stole the Tarts?
XII Alice's Evidence
c/f 1903 film version . . . .
I Down the Rabbit-Hole
II The Pool of Tears
III A Caucus-Race and a Long Tale
IV The Rabbit Sends in a Little Bill
V Advice from a Caterpillar
VI Pig and Pepper
VII A Mad Tea-Party
VIII The Queen's Croquet-Ground
IX The Mock Turtle's Story
X The Lobster Quadrille
XI Who Stole the Tarts?
XII Alice's Evidence
c/f 1903 film version . . . .
Labels:
Archetype Stock Character Caricature,
Clowning,
Crackpot Eccentric Armchair Philosopher,
Deal Riddle,
Dream Sleep,
Fancy (Whimsy),
Fantastical Journey,
Game (Gambling),
Meaning Perception Subjectivity Incompleteness,
Mirror World Underworld Multiverse,
Nonsense Absurdity Non Sequitur,
Party Ceremony Ritual,
Preciousness,
Psychedelia Hallucination Vision Ecstasy,
Stories within Stories,
Violence Fighting Sadomasochism
Monday, August 2, 2010
Ogden Nash

Daffy, vocabulary drunk, middle-aged witty, these are dippy, doughy, dumpy exemplars of the last centuries' middle-of-the-road cocktail verse. The nearest thing the 20C had to a popular verse, without the rhymes being set to music.
A Lady Who Thinks She Is Thirty
Unwillingly Miranda wakes,
![]() |
Aubrey Beadsley - Venus |
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.
Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.
Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.
Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.
Time is timelessness for you;
Calendars for the human;
What's a year, or thirty, to
Loveliness made woman?
Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then--
How old is Spring, Miranda?
Friday, July 30, 2010
Punch and Judy 1832 Book
This is a scan of a 1832 Punch and Judy script.
If the dynamics at base in Punch and Judy's relationship (Man and Woman as the comedic Straight Man vs. Clown duo, Auguste vs. Joey framework, manipulator vs. victim sketch, a level of implied and/or actual violence perpetually close to lighting up the sparkers) are the spiritual ancestor of The Honeymooners, The Honeymooners goes on to be the spiritual ancestor of all other situation comedies. If one wanted to make the case that there is a level of self-critique going on in regards to Punch's sociopathic hatred of women, it would be that Men (and here the concept Men is expressly, specifically gendered Male) are monsters.
The irredeemable tone and frequency of Punch's violent outbursts makes this very modern-seeming text curiously resistant to domestication, to colonization into a moral text or a sentimental one.
More scripts.
Predating vaudeville, Punch and Judy--with its giddy violence, its cast of stock characters, its bits and jokes and gags, its irredeemable misogyny, its clowning, its anticipation of nonsense and absurdity and mumbling as aesthetic pleasures--is also the phantom haunting the format and internal dynamics of every television sitcom. It does it first. It does it better. There is also a lurking horror within which I doubt is just a product of its times, that "we know better" now. Its urge to offend is almost theological in scale, undoubtedly compulsive.

The irredeemable tone and frequency of Punch's violent outbursts makes this very modern-seeming text curiously resistant to domestication, to colonization into a moral text or a sentimental one.
More scripts.
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